The Life and Times of the Canada Pavilion in Venice with Josée Drouin-Brisebois of the National Gallery of Canada

Date

Friday October 4, 2024
5:30 pm - 7:30 pm

This year’s McDonald Stewart Lecture on the Art of Venice, organized by the Department of Art History and Art Conservation, is titled “The Life and Times of the Canada Pavilion in Venice,” presented by Josée Drouin-Brisebois, the Producer and Senior Manager of National Outreach at the . We warmly invite and encourage everyone to attend. The evening will begin with a reception at 5:30 PM in the Isabel Bader Centre for the Performing Arts, followed by the lecture and discussion from 6:00 to 7:30 PM in the Isabel’s Screening Room.
 
The , the world’s premier international exhibition of contemporary art, boasts a rich history that dates back to the late nineteenth century. The Canada Pavilion, designed in 1957 by Milan’s Studio BBPR, is a significant example of Italian modernism and holds a special heritage designation. Between 2013 and 2018, the National Gallery of Canada meticulously restored this iconic building, which now showcases Canada’s contributions to global contemporary art.

Join Josée Drouin-Brisebois from the National Gallery of Canada for what promises to be a fascinating inside look at “The Life and Times of the Canada Pavilion in Venice.”

Welcome to the Department of Art History & Art Conservation

The Department of Art History and Art Conservation is the place at Queen’s to explore and understand our visual world--past, present, and future. With a diverse array of distinguished scholars in global arts, architecture, museum studies, and material culture, we are a vibrant and inclusive community committed to fostering innovative, rigorous, and socially-engaged learning, creativity, and research.

Shugar, Aaron

Aaron Shugar

Aaron Shugar

Professor and Bader Chair in Art Conservation

Department of Art History and Art Conservation

Research Interests

Aaron has wide ranging research interests related to the scientific analysis of art and archaeology.  He has ongoing research towards the development of non-destructive techniques of analysis including X-ray fluorescence spectroscopy (XRF), fibre optic reflectance spectroscopy (FORS), hyperspectral imaging, Scanning Electron Microscopy (SEM), and Raman spectroscopy.  Aaron ongoing research interests include historic artist’s pigments and their degradation pathways, and inorganic material sciences as applied toward the study of ancient metallurgy, ceramics, glazes, glasses.  He also is interested in the technical history of artifacts and their manufacturing processes. 

Biography

Aaron received his honours H.B.A. in Anthropology and Law & Society from York University and his M.S. in Archaeological Materials from The University of Sheffield. Aaron received his Ph.D. in Archaeometallurgy from University College London.  He co-directed the Archaeometallurgy Laboratory at Lehigh University, was a guest scientist at NIST, and a research associate at the Smithsonian Institution.  He serves on the Scientific Vetting Committee for TEFAF and as a forensic materials export for the Court of Arbitration for Art.  Aaron was the Mellon Foundation Professor in Conservation Science at Buffalo State University, and he is currently the Bader Chair in Art Conservation at Queen’s University.